2nd Review- Marija Temo, guest flamenco singer, El Amor Brujo, with the Peridance Contemporary Dance Co., NYC, 5/6/12
(Marija Temo’s portion of the Review)
“The piece was rounded out by the amazing vocalization of Marija Temo as the Flamenco Singer. Her charisma and charm almost stole the show. I more than once took my eyes off the movements on stage to watch her command and attack. She was a perfect component, interweaving between the dancers and holding her own on an artistic and choreographic level. “
Review- Marija Temo, guest singer, El Amor Brujo, with the Peridance Contemporary Dance Co., NYC, 5/7/12
(Marija Temo’s portion in the Review)
“Kudos to flamenco cantante Marija Temo for not using a microphone; her dusky, vivid singing was completely natural and came from the heart. Ms. Temo wandered among the dancers as she sang, becoming a part of the rather abstracted narrative.”
Hear and be heard in iayayay! Find good resources, reviews, and ideas, or share your own with others in Atlanta’s flamenco community. Updated OCTOBER 9, 2011
Flamenco Completo
The Flamenco Completo workshop returned to Atlanta in September, and as titled, gave students lessons in flamenco as a whole, in an integrated format with guitar, singing, and dance working together at once. Workshop organizers Gloriela Rosas and Rebecca Money Johnson were impressed in this latest workshop by a new, fearless student, who they say had no flamenco background whatsoever. “She signed up for Level 1. She followed pretty well and understood the concept, but the highlight was at the end when everyone got to do a solo. She was the first one to jump in and do the llamada to Marija. It was quite an achievement for a novice,” said Rosas. The Marija to whom Rosas refers is, of course, Marija Temo, a singer and guitarist who teaches Flamenco Completo with dancer Ulrika Frank, a former instructor in Atlanta.
From the beginner to the experienced, the workshop is a reflection of growth among flamenco students in Atlanta. “Atlanta flamenco students are getting better and better, challenging and asking for more information,” says Rosas. To meet the progressing students, she explains, Frank and Temo use clear demonstrations, prepared charts and varying scenarios that make students think.
‘TRIPLE THREAT’ BRINGS FLAMENCO FLAIR TO CLASSICAL GUITAR
ARTICLE, Wed. April 16, 2008, The Gazette, Gaithersburg, MD, by Patricia M. Murret, Staff Writer
Fingers flying, elbows erect, classical guitarist Marija Temo punctuates her performances with powerful flamenco strums.
‘‘I’m definitely combining the styles,” said Temo of Gaithersburg. ‘‘What’s really fun at this stage in my life is that I’m finally able to explore both the classical and the flamenco in my work.” Read More »
