This 7 week course will give a confident way to execute bulerias por fiesta in a live setting with any dancer, guitarist, and singer. A breakdown of an essential format used in bulerias will be taught. An added opportunity, this course invites dancers, guitarists, and singers individually or combined to present live or in video any part of your choreography, accompaniment, and letra (verse). A coaching will be given in revealing the understanding and improvements needed to execute your steps, letra, and accompaniment clearly. Looking forward to helping build your knowledge and confidence in performing bulerias.
Topics include in this order:
Rhythmic patterns
Typical fundamental rhythmic patterns that are used in all disciplines and how to recognize them and accompany them.
Entradas and Falsetas
The singers intro. Learn what to convey and listen for in order to know when to enter, follow, and close.
Llamada (Call)
The types of rhythmic calls used, their purpose, and where they are placed
Letra (verse)
A typical letra (verse) with a breakdown on it’s structure, what to listen for in order to follow it, and how to anticipate if a singer will make a change.
Desplante (Calll)
A type of rhythmic call used, its purpose, and where it is placed
Pataita (small footwork or climactic section)
Salida (the dancer’s exit with a singer’s specific melody to exit. How to dance, call the singer in, accompany and end.
Final wkshp day: Run the structure, putting the pieces together.
For all those interested in flamenco dance, guitar, and singing, this live forum is to provide a platform to discuss topics of your choice, ask questions to the group, problem solve together, share your experiences, or just sit back and listen. Grab your lunch or a coffee and join “Let’s Talk Flamenco”!
Participants: I welcome your topics and questions on the fb event page. All questions are welcomed from the simplest to more advanced such as:
What is a palo and how do I start learning flamenco?
How do I practice when I don’t have a flamenco community to work with?
How can I improve my skills when I only have recordings or method books?
How do I make the material I learn from workshops work with dancers, guitarists, and singers?
How do I get the guitarist to hit the correct chords when I sing?
How can I respond to cante without getting stuck in my choreography?
What do I change in my playing to better accompany a dancer?
August 22-24, 2024, Thurs- Sat (3 days)
Milwaukee, WI
Flamenco Communication Intensive
with Marija Temo and guest dancer/teacher, Kerensa DeMars
(for all levels in Dance, Guitar, & Vocal, and those completely new to flamenco!)
The flamenco intensive focuses on working with different disciplines to enhance your abilities to lead, accompany, and to better support one another with feedback from M. Temo and K. DeMars
The workshops are designed for participants to be able to take one or more days.
Discounted package prices available!
Scroll down for all info (wkshps, schedule, location, hotels/airnbnb’s, grocery stores/restaurants). All dance studio, hotels/airbnb’s, grocery stores and a few restaurants are within walking distance. No rental cars needed, Uber is best and about a 20 minutes ride from the airport. Other restaurants are a 10 minute uber ride.
FYI: Get your airbnb’s/ hotels, and look into flights asap. This is the best time of year in Milwaukee, WI.
Flamenco Communication Intensive
with Marija Temo and guest dancer/teacher, Kerensa DeMars
(for all levels in Dance, Guitar, & Vocal, working separately & together)
The flamenco intensive focuses on working with different disciplines to enhance your abilities to lead, accompany, and to better support one another with feedback from M. Temo and K. DeMars
This year is designed for participants to be able to take one or more days. Different material will be taught each day.
Coaching sessions are a supportive environment for you to workshop parts of your dance solo, falseta, or letra with other students (dancers, guitarists, singers, palmeros) and the instructors. The goal of these sessions is to help you improve your performance communication skills with constructive and positive feedback.
(Best to arrange with other students if you want a 2 person or group coaching, or inquire with M. Temo if someone can be put with you. You may also sign up for an individual coaching where M. Temo will accompany via guitar and singing, and/or K. DeMars will dance for you.)
Email Marija Temo to register for your slot time. First come, first serve. Slot times are guaranteed with payment.
Workshops Workshops are for all levels (beginners to more experienced dancers). The material will be shown in a basic and more advanced version. (Students are welcome to record the material.)
Bamberas (Llamada, Letra, Escobilla, Salida) Separate Workshops for Dancers, Guitarists, and Singers
Application Workshop Combining Dancers, Guitarists, and Singers together.
The Bamberas or ‘Swing Songs’ are a flamenco adaption of Andalusian folk music. Originally sung in a fandangos style, Paco de Lucia reworked the Bamberas in the Solea por Buleria rhythm which is most commonly used today but with a different aire that’s more fluid, reminiscent of the swings….
Dance Technique Friday:
Footwork Drills and Building Escobillas. This technique class includes a series of footwork drills for stamina and musicality followed by phrasing patterns to create escobillas in 12 count palos. We’ll look specifically at how to create strong, musical footwork sections, how to extend or shorten a pattern and how to create patterns that work well for a guitarist to accompany.
Saturday:
Upper body movement and mantón technique. This class will include a series of drills focused on upper body control and using the torso to create more depth and power in your dancing. We’ll explore the dynamic torso movements that are unique to flamenco and how to cultivate the flexibility and strength needed to create those lines. We will also explore mantón work and how to engage the torso to complement this technique. BYO mantón if you have one, some will be provided.
Palmas (Technique & Application): Learn various styles of palmas, which include different patterns for accompaniment and how to create strong accents, and how to hold the body to prevent fatigue. We will also learn how to find musicality in your palmas, play supportively without rushing or overpowering what’s happening musically.
We’ll put our technique practice to the test accompanying falsetas, escobillas, llamadas and letras, and discuss how to get in and out of contra sections, how to listen to your fellow palmeros to stay in synch, and how to give jaleo while playing palmas.
Palos to be covered: Friday: Bulerias, Sat: Tientos/Tangos.
Jam sessionsFree time, without the instructors, to jam with other dancer, guitarist, and singer workshop participants.
Observation All workshops and coachings are open for an observation fee. (Observation is free for the days that you are registered for a workshop or coaching.)
Feria de Abril, Atlanta GA
Performance, April 22, 8p.m.
Activities all afternoon and evening, including classes, concerts, Spanish tapas, and kids activities. The festival ends with a special performance by renowned guitarist/singer Marija Temo and Seville dancer Isaac Tovar, along with local professional artists.
Workshop, April 23, 1-3p.m.
Marija Temo will teach her well-known communication methodology.
Guitarists, singers, dancers, and percussionists are all welcome to join!
This class examines flamenco from different perspectives between music and movement, exploring how each work together in an improvised setting.
